|Comments:||J.R. Robinson said:|
Historically informed performances (in the best sense) played on modern instruments, often one to a part. Despite their scholarly conception, these performances sound anything but academic; indeed, the heartfelt commitment and sheer joy these players bring to the music is palpable. The pared-down forces allow for improved textural clarity and transparency, while the richness and fullness of the playing prevents the ensemble from sounding even the least bit anemic. Zehetmair has established a close rapport with the Amsterdamse Bach Solisten (an offshoot of the Concertgebouw Orchestra). He blends effortlessly into the ensemble during tutti passages but is an inspiring and consummate soloist when his number is called. Clean, focused, well-balanced recorded sound, to boot.